A 450km cross-Channel odyssey for all the family, incorporating a Tour of Jersey. This brand new route starts in Weymouth and takes you along the Jurassic coast to Poole, through rural Dorset. You then board the ferry to Cherbourg before cycling down the Cotentin peninsula, past the D-Day beaches and through deepest Normandy. The route brings you out on the mighty bay of Mont-Saint-Michel then joins the Brittany coast, skirting the oyster beds of Cancale before pitching up in the stylish fortress town of Saint-Malo. There's an optional circuit of the sandy shoreline of Jersey on the way home: the ferry to Weymouth docks in Jersey and you can hope off and do an extra 60km with an overnight in St Helier. Contains Route information, detailed mapping plus all the best places to eat, sleep & drink.

The relationship between musical activity and ethical significance occupies long traditions of thought and reflection both within Christianity and beyond. From concerns regarding music and the passions in early Christian writings through to moral panics regarding rock music in the 20th century, Christians have often gravitated to the view that music can become morally weighted, building a range of normative practices and prescriptions upon particular modes of ethical judgment. But how should we think about ethics and Christian musical activity in the contemporary world? As studies of Christian musicking have moved to incorporate the experiences, agencies, and relationships of congregations, ethical questions have become implicit in new ways in a range of recent research - how do communities negotiate questions of value in music? How are processes of encounter with a variety of different others negotiated through musical activity? What responsibilities arise within musical communities? This volume seeks to expand this conversation. Divided into four sections, the book covers the relationship of Christian musicking to the body; responsibilities and values; identity and encounter; and notions of the self. The result is a wide-ranging perspective on music as an ethical practice, particularly as it relates to contemporary religious and spiritual communities. This collection is an important milestone at the intersection of ethnomusicology, musicology, religious studies and theology. It will be a vital reference for scholars and practitioners reflecting on the values and practices of worshipping communities in the contemporary world.

The relationship between musical activity and ethical significance occupies long traditions of thought and reflection both within Christianity and beyond. From concerns regarding music and the passions in early Christian writings through to moral panics regarding rock music in the 20th century, Christians have often gravitated to the view that music can become morally weighted, building a range of normative practices and prescriptions upon particular modes of ethical judgment. But how should we think about ethics and Christian musical activity in the contemporary world? As studies of Christian musicking have moved to incorporate the experiences, agencies, and relationships of congregations, ethical questions have become implicit in new ways in a range of recent research - how do communities negotiate questions of value in music? How are processes of encounter with a variety of different others negotiated through musical activity? What responsibilities arise within musical communities? This volume seeks to expand this conversation. Divided into four sections, the book covers the relationship of Christian musicking to the body; responsibilities and values; identity and encounter; and notions of the self. The result is a wide-ranging perspective on music as an ethical practice, particularly as it relates to contemporary religious and spiritual communities. This collection is an important milestone at the intersection of ethnomusicology, musicology, religious studies and theology. It will be a vital reference for scholars and practitioners reflecting on the values and practices of worshipping communities in the contemporary world.

Whilst Contemporary Worship Music arose out of a desire to relate the music of the church to the music of everyday life, this function can quickly be called into question by the diversity of musical lives present in contemporary society. Mark Porter examines the relationship between individuals' musical lives away from a Contemporary Worship Music environment and their diverse experiences of music within it, presenting important insights into the complex and sometimes contradictory relationships between congregants' musical lives within and outside of religious worship. Through detailed ethnographic investigation Porter challenges common evangelical ideals of musical neutrality, suggesting the importance of considering musical tastes and preferences through an ethical lens. He employs cosmopolitanism as an interpretative framework for understanding the dynamics of diverse musical communities, positioning it as a stronger alternative to common assimilationist and multiculturalist models.

Whilst Contemporary Worship Music arose out of a desire to relate the music of the church to the music of everyday life, this function can quickly be called into question by the diversity of musical lives present in contemporary society. Mark Porter examines the relationship between individuals' musical lives away from a Contemporary Worship Music environment and their diverse experiences of music within it, presenting important insights into the complex and sometimes contradictory relationships between congregants' musical lives within and outside of religious worship. Through detailed ethnographic investigation Porter challenges common evangelical ideals of musical neutrality, suggesting the importance of considering musical tastes and preferences through an ethical lens. He employs cosmopolitanism as an interpretative framework for understanding the dynamics of diverse musical communities, positioning it as a stronger alternative to common assimilationist and multiculturalist models.

Ecologies of Resonance in Christian Musicking Rexplores a diverse range of Christian musical activity through the conceptual lens of resonance, a concept rooted in the physical, vibrational, and sonic realm that carries with it an expansive ability to simultaneously describe personal, social, and spiritual realities. In this book, Mark Porter proposes that attention to patterns of back-and-forth interaction that exist in and alongside sonic activity can help to understand the dynamics of religious musicking in new ways and, at the same time, can provide a means for bringing diverse traditions into conversation. The book focuses on different questions arising out of human experience in the moment of worship. What happens if we take the entry point of a human being experiencing certain patterns of (more than) sonic interaction with the world around them as a focus for exploration? What different ecologies of interaction can be encountered? What kinds of patterns can be traced through different Christian worshiping environments? And how do these operate across multiple dimensions of experience? Chapters covering ascetic sounding, noisy congregations, and Internet live-streaming, among others, serve to highlight the diverse ecologies of resonance that surround Christian musicking, suggesting the potential to develop new perspectives on devotional musical activity that focus not primarily on compositions or theological ideals but on changing patterns of interaction across multiple dimensions between individuals, spaces, communities, and God.

In an energy-liberated future, Lewis McCrorry probes the invisible event horizon of a mundane micro black hole power source, resulting in a series of unlikely disasters, seemingly aimed directly at him. When he and his long-time friend, synthetic sentient Nikola Tesla, find a disturbing token buried deep within the Neural Sea, his options swiftly collapse. Helpless against a mysteriously cunning foe, he is forced to escape into desperate anonymity, cut off from a familiar world of instant information, and convinced he must unravel the threads of an ever-tightening knot before his own life is deleted.

Horatio Goodman appears beset by large decisions that make themselves around him whilst he ties his shoe laces. He has made the unlikely swap from store detective to private detective following a night on the couch. He did not realise just how much of his time would be spent sat in his van, waiting for unfaithful spouses to provide ammunition for the divorce courts. His best friend, Lambert Windle, failing at most things, except attracting women, is a college lecturer in English Literature and has somehow been decamped in the spare room for two years now. Two years of nocturnal shuffling and bumping, of bouncing bed springs and another stranger at the breakfast table. Horatio's wife, Megan appears to take all in her stride, fixed she says by her therapist. Changes are coming for Horatio, Megan has warned him. He must first visit the therapist and then notes can be compared, decisions arrived upon. But just who is Caleb Pink? This shrink with the life saving touch? Was he not the bass player in a 1970s glam rock band, isn't he massively and hopelessly depressed? Megan floats through a world in which the three men closest to her, husband; lodger and former therapist look to her for reason and warmth. Two of them would probably like to share her bed; one of them just wants to connect with her again. This is the story of what happens when broken people try to make some of the pieces fit together.